nature and purpose of the corporate form itself—of capturing and reanimating life in
a form of immortality via the mechanisms of perpetual succession. This visual
rendering, of a metaphoric framing goes to show the way in which the optical nature
of the dominant forms of popular culture—film, television, comic books—provide a
means for seeing law’s metaphorical images and for thus unpacking, interrogating
and rendering them anew. It argues for a shift from the image of the corporation as a
monstrous body to one which involves relations of reciprocity, gratuitousness and
gift.

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• I, Corpenstein: Mythic, Metaphorical and Visual Renderings of the Corporate Form in Comics and Film